Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant—and it does.
After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space—and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home’s previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror, as the girl before.
Wow! What a read! haven’t enjoyed a book since than Girl on a Train.. this kept me gripped so much that I completed it in 24 hours! I really enjoyed it – the tension continued throughout – and I liked the double narrative – ‘ Then’ – Emma’s story – ‘Now’ Jane’s story. The two women had very distinct personalities; they each went through similar experiences but their reactions were different. One example is the Sushi restaurant they are taken to by Edward – I found I related much more to Jane’s reaction than Emma.
Both women were recovering from a recent trauma – Emma having an intruder in her flat in the middle of the night and Jane – after losing a still birth.
The house appears to offer a place of recovery – the clean lines and uncluttered space is reflective of a monk’s cell – austere but with its own sense of serenity. The technology in the house is designed to intuitively support the needs of the occupants – shower settings are automatically adjusted each time to the person’s preferences.
However, the technology becomes oppressive – Jane finds services are withheld until she completes on going psychological tests – each of the questions are moral debates and add to the tension as the questions become more intrusive. The house also completes health checks and monitors overall wellbeing into a quantifiable score – Jane is expected to adjust to improve her scores.
The book blurb linked this with Girl on a Train (which I also loved) and Fifty Shades of Grey… (which almost put me off – I despised that book because it was so awful!) Yet, Edward Montford is a controlling character – JP Delaney understands dominant controlling behaviour and uses it very effectively. Edward has power – his designs have made him wealthy, he is good looking and he is also a perfectionist – which makes him quite an interesting character. I agree that there are also similarities between Girl on a Train… but I don’t want to spoil the read for you – so I won’t say why here.
The story unravelled at quite a pace – I loved the way the two characters experiences were similar and the way they engaged in a relationship with Edward – kept the tension. Edward had exacting standards – the conditions of living in the house were a huge list of rules – and the women sought to meet those exacting standards.
The plot twists were interesting – and the tension built nicely – I could not put the book down! The conclusion was satisfying – I won’t say any more as I don’t want to spoil it for you!
The only negative thing I can say about this book is that I hate it when they use Americanisms… this is set in London, the story is English why then, does Jane refer to her bangs rather than her fringe? Surely American readers would be able to look it up – if they don’t know what a fringe is?
J.P Delaney is a skilful writer, although Good Reads describes them as
J. P. Delaney is the pseudonym of a writer who has previously published best-selling fiction under another name.
I also note there is another book written under this name… which is great news! Clicking on Amazon as soon as I have finished this review.
The book is going to made into a film.. please leave it in London not New York like The Girl on the Train… !
Overall – five gold stars – ten out of ten -quite brilliant!